Exhibition outline
Manuscript | by Mushanokoji Saneatsu | |
Manuscript | by Nagayo Yoshiro | |
Apple | Kishida Ryusei | a rough sketch |
Momoko-chan | Kishida Ryusei | postcard |
A figure of man | Paul Cézanne) | a rough sketch |
A water wheel | van Gogh | watercolor/1884 |
The store house of Japanese rice wine | Oil painting | 1914 |
The road that frost thaw | Oil painting | 1915 |
The fresh green | Oil painting | 1925 |
Still life | Oil painting | 1951 |
Still life | Oil painting | - |
Be the dragon | calligraphy | Mushanokoji Saneatsu |
Still life | watercolor | Nagayo Yoshiro |
Portrait of Saito Yori / Kishida Ryusei | Oil painting | 1913 |
The Early day of winter | Oil painting | 1917 |
The Japanese cedar and tea garden | Oil painting | 1916 |
The Side of Prison | Oil painting | 1917 |
Sunlight of Spring | Oil painting | 1915 |
The Side of Prison | Oil painting | 1917 |
Yakuno | Oil painting | 1931 |
Fresh green in late spring | Oil painting | 1950 |
Exhibition outline
Hill of Nagasaki | oilpainting | 1960 |
Landscape of Nagasaki | oilpainting | 1957 |
Sakurajima | oilpainting | 1960 |
The sea and tree | oilpainting | 1958 |
Pont-Aven | oilpainting | 1970 |
The landscape of Cagne in France | oilpainting | 1962 |
A slope of Cagne in France | oilpainting | 1962 |
The landscape of Toredo in Spain | oilpainting | 1962 |
The suburbs of Tredo in Spain | oilpainting | 1962 |
Fukuura | oilpainting | 1961 |
Landscape | oilpainting | 1964 |
Fukuura | oilpainting | 1964 |
Mt. Komagatake at Hakone | oilpainting | 1973 |
Mt. Komagatake at Hakone | oilpainting | 1982 |
Mt. Komagatake at Hakone | oilpainting | 1975 |
Exhibition outline
Roses in two Majolica pots | oil painting | 1971 |
Portrait of a young man | oil painting | 1965 |
Portrait of a boy | oil painting | 1967 |
Portrait of a gir | oil painting | 1976 |
Sunflowers | oil painting | 1982 |
Camellias and Majolica pots | oil painting | 1980 |
Camellias, a still life | oil painting | 1990 |
Roses | oil painting | 1983 |
Roses | oil painting | 1980 |
Roses | oil painting | 1986 |
Sunflowers | oil painting | 1976 |
Gold fish | Mineral pigment painting | 1983 |
Camellias | Mineral pigment painting | 1981 |
Pot, grapes, loquats, still life | Mineral pigment painting | 1977 |
A-Un (Temple lions) | Mineral pigment painting | 1983 |
White camellias, still life | Mineral pigment painting | 1983 |
Branch of persimmon | Mineral pigment painting | 1980 |
Lilies and Majolica pot | Mineral pigment painting | 1989 |
Goldfishes | Mineral pigment painting | 1978 |
Clematis | Mineral pigment painting | 1983 |
Exhibition outline
Passage from Japanese classical literature | calligraphy | 1980 |
Chinese classical poem | calligraphy | 1976 |
Chinese classical poem | calligraphy | 1985 |
Passage from Chinese classical literature | calligraphy | 1984 |
Passage from Japanese classical literature | calligraphy | 1986 |
Manyoshu | calligraphy | 1978 |
Passage from Chinese classical literature | calligraphy | 1982 |
Calligraphy (Word by Kazumasa) | calligraphy | 1982 |
Chinese poem | calligraphy | 1981 |
Manyoshu | calligraphy | 1981 |
Exhibition outline
Chinese dog | Shiga Naoya | a rough sketch |
Self-portrait | Shiga Naoya | a rough sketch |
Japanese doll | Mushanokoji Saneatsu | a rough sketch |
Japanese doll 1959 | Mushanokoji Saneatsu | a rough sketch |
Female nude image “Egypt” | Mushanokoji Saneatsu | a rough sketch |
Female nude image “Back of the head” | Mushanokoji Saneatsu | a rough sketch |
A face of man | Mushanokoji Saneatsu | a rough sketch |
Chinese dog | Sculpture, excavated in China | |
Jug | Bernard Leach | Ceramic |
Flower vase | Tomimoto Kenkichi | Ceramic |
A neck of old man | Takamura Kotaro | Sculpture |
Exhibition outline
Word by Kazumsa | Calligraphy | 1978 |
Exhibition outline
This studio was created by the restoration of a Western-style room in the Nakagawa's former studio. The room is decorated with the tools he used to use, such as paints, easels, palettes, paint brushes, brush cleaners, picture frames and accessories. The fixtures and fittings are installed in the completely same style in those days.
The restored studio is open to the public at the Ohayashi View Park Building next to the museum. (closed every Wednesday and the third Thursday.)